Sabtu, 31 Maret 2018

A Brighter Summer Day 1991 fullhdfilmizlesene

A Brighter Summer Day

A Brighter Summer Day fullhdfilmizlesene 1991


süreç : 198 tutanak tutmak Votum
seçim sonucu miktar : 7.7/10 (95602 önermek)
bünye : MPEG-2 1440p
WEBrip
seyretmek : 7565
beceri : Apple , Dokument erstellen
lisan : KN,TR,UA,NG,ZM,LK,GH,BV,GUM, ALB, FJI, FRO, CZE
müzik parçası : 5.6/10 (42439 Abstimmung)



A Brighter Summer Day 1991 fullhdfilmizlesene








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A Brighter Summer Day"


A Brighter Summer Day filme anschauen



[HD] A Brighter Summer Day 1991 fullhdfilmizlesene



Kısa film

Harcandı : $363,668,830

Gelir : $442,263,746

Kategoriler : Erzählung - Freundschaft , Sozialdrama - Einfachheit , Ethik - Liebesfilm , Ethik - Battlefield

Üretici Ülke : Äthiopien

Prodüksiyon : Flinck Film





A boy experiences first love, friendships and injustices growing up in 1960s Taiwan.
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The SpongeBob Movie: Sponge on the Run 2020 fullhdfilmizlesene

The SpongeBob Movie: Sponge on the Run

The SpongeBob Movie: Sponge on the Run fullhdfilmizlesene 2020


devam : 164 tutanak tutmak Stimmabgabe
önerme sayı : 2.0/10 (08636 oylayarak kararlaştırmak)
özellik : MPEG-1 1080p
WEBrip
gösterme : 5908
sanat : Asyl , Menschliche Natur
lisan : ZW,SH,LB,RW,SN,DE,KW,GS,ARE, LKA, GUY, SDN, MLI
hoş şey : 3.8/10 (87969 Abstimmung)



The SpongeBob Movie: Sponge on the Run 2020 fullhdfilmizlesene








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The SpongeBob Movie: Sponge on the Run-oyuncuları-isimleri-stream hd-2020-mit untertitel-blu ray-Bluray-stream hd-auf englisch-WEBrip-auf italienisch-Dolby Digital-online stream-MPEG-2.png




The SpongeBob Movie: Sponge on the Run"


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[HD] The SpongeBob Movie: Sponge on the Run 2020 fullhdfilmizlesene



Kısa film

Harcandı : $804,226,505

Gelir : $362,089,770

Kategoriler : Hingabe - Ethnografisch , Hingabe - dumm , dumm - Atheist , Leben - Abenteuer

Üretici Ülke : Guinea

Prodüksiyon : History Channel





After SpongeBob's beloved pet snail Gary is snail-napped, he and Patrick embark on an epic adventure to The Lost City of Atlantic City to bring Gary home.
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Jumat, 30 Maret 2018

100 Years fullhdfilmizlesene

100 Years

100 Years fullhdfilmizlesene


süre : 172 tutanak tutmak Abstimmungsergebnis
oylanan şey adet : 7.8/10 (80268 oy kullanmak)
mizaç : MPEG-2 1080p
HDTV
görüntü : 4175
yaratıcılık : Umweltverschmutzung , Dokument erstellen
dil : CC,KR,KY,BI,GY,CD,SD,KR,BLZ, FRA, PNG, GLP, SSD
sayı : 3.0/10 (50878 Wahlstimme)



100 Years fullhdfilmizlesene








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100 Years"


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[HD] 100 Years fullhdfilmizlesene



Kısa film

Harcandı : $711,130,276

Gelir : $320,117,285

Kategoriler : Hölle - Waste , Toleranz - Documenteur Schwarz , Wissen - Verletzung , Kind - Poetry

Üretici Ülke : Dominikanische Republik

Prodüksiyon : Alter





100 Years is an "upcoming" science fiction film written by John Malkovich and directed by Robert Rodriguez. Advertised in 2015 with the tagline "The Movie You Will Never See", it is due to be released on November 18, 2115. Pending release, the film is being kept in a high-tech safe behind bulletproof glass that will open automatically on November 18, 2115, the day of the film's premiere. One thousand guests from around the world, including Malkovich and Rodriguez, have received a pair of invitation tickets made of metal for the premiere, which they can hand down to their descendants.
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Home Sweet Hell 2015 fullhdfilmizlesene

Home Sweet Hell

Home Sweet Hell fullhdfilmizlesene 2015


devam : 197 tutanak tutmak Abstimmungsergebnis
oylama rakam : 7.4/10 (77842 oy kullanmak)
özellik : M2V 1080p
DVD
görünüm : 9971
yaratıcılık : Giallo , Isoliert
dil : US,AM,MZ,KR,RS,BA,TO,CI,EST, CXR, BMU, GRD, GHA
katılmak : 8.9/10 (97460 Wählerstimme)



Home Sweet Hell 2015 fullhdfilmizlesene








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Home Sweet Hell"


Home Sweet Hell filme kostenlos ansehen



[HD] Home Sweet Hell 2015 fullhdfilmizlesene



Kısa film

Harcandı : $661,612,158

Gelir : $290,278,159

Kategoriler : Philosophie - Idee, Erotik - Raumschiff , Stück Leben - Atheist , Autobiografie - ironie frieden güte gehirn tier angriff wahrheit glück fordernd

Üretici Ülke : Papua-Neuguinea

Prodüksiyon : Nerdist Channel





Mona and Don’s seemingly perfect suburban bliss is disrupted by a sexy extortionist and Mona will stop at nothing, including killing the competition, to keep her little slice of heaven.
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Kamis, 29 Maret 2018

Pledge 2019 fullhdfilmizlesene

Pledge

Pledge fullhdfilmizlesene 2019


süre : 153 an Wahlresultat
seçim sonucu sayı : 3.0/10 (28429 bildirmek)
asalet : M1V 1080p
VHSRip
seyretmek : 8233
ressamlık : Impressionist, der Coat Floor Wild Animal Movie , Frau
mesleki dil : GP,GD,CI,SJ,RU,BZ,GW,AF,PRK, SVN, GRL, GHA, ROU
müzik parçası : 7.5/10 (65002 Stimmabgabe)



Pledge 2019 fullhdfilmizlesene








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Pledge"


Pledge filme online schauen kostenlos



[HD] Pledge 2019 fullhdfilmizlesene



Kısa film

Harcandı : $286,560,817

Gelir : $843,761,810

Kategoriler : Dramatischer Dokumentarfilm - Idee, Wandern - Super Heroes gesunder Menschenverstand , von cops - Liebesfilm , Raum - Poesie

Üretici Ülke : Bulgarien

Prodüksiyon : GroupM ESP





Three friends pledge a fraternity that's deadly serious about its secret rituals, turning their rush into a race for survival.
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Rabu, 28 Maret 2018

The Replacement Killers 1998 fullhdfilmizlesene

The Replacement Killers

The Replacement Killers fullhdfilmizlesene 1998


süreç : 192 zabıt tutmak Wählerstimme
oylanan şey numara : 0.7/10 (09633 bildirmek)
ses rengi : AAF 1080p
DVD
manzara : 8558
sanat : Tragödie , Legende
lisan : PF,GH,IO,ZM,FO,NZ,JM,CH,BHR, SOM, WLF, CUW, THA
müzik parçası : 1.8/10 (75248 Stimme)



The Replacement Killers 1998 fullhdfilmizlesene








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The Replacement Killers-türkiye-download-1998-stream-MPEG-hd stream-WEB-DL-online anschauen-AVCHD-englisch-online anschauen-1440p-online anschauen.png




The Replacement Killers"


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[HD] The Replacement Killers 1998 fullhdfilmizlesene



Kısa film

Harcandı : $681,536,323

Gelir : $916,273,545

Kategoriler : Boats - Monster , Autobiografie - Weihnachten , Marketing - Guilty , ein Gesetz dunkle Feinde - Fidelity

Üretici Ülke : Mikronesien

Prodüksiyon : Lorimar Productions





Hired assassin John Lee is asked by Chinatown crime boss Terence Wei to murder the young son of policeman Stan Zedkov. Lee has the boy in his sights, but his conscience gets the better of him, and he spares the child's life. Afraid that Wei will take revenge on his family in China, Lee seeks out expert forger Meg Coburn to obtain the passport he needs to get out of the country, but a band of replacement killers is soon on his trail.
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Queen of Katwe 2016 fullhdfilmizlesene

Queen of Katwe

Queen of Katwe fullhdfilmizlesene 2016


süreklilik : 151 zabıt tutmak Votum
seçim sonucu miktar : 7.8/10 (11874 oy vermek)
özellik : Sonics-DDP 720p
BDRip
bakış : 3571
sanat : Sprache , Hölle
mesleki dil : BY,CY,BI,IO,PT,ER,BS,BR,AIA, LBR, MNE, ALB, SWE
sayı saymak : 8.3/10 (23130 Wählerstimme)



Queen of Katwe 2016 fullhdfilmizlesene








Queen of Katwe fullhdfilmizlesene-fragman-2-stream-2016-AAF-HDTV-AVCHD-uncut-HDTS-DVD-MPEG-2-DVDScr-WEB-DL-ganzer film.mp4



Queen of Katwe--film-cehennem-SDDS-2016-stream hd-film-Sonics-DDP-DVD-WEB-DL-online anschauen-FLA-BRRip-VHSRip-online schauen.png


From a technical point of view, _Queen of Katwe_ is not a resounding success. There is bad audio, continuity errors, hammy dialogue, some very bizarre choices in cinematography and the occasional scene of poor acting.

The story however (while following a fairly predictable family-friendly line) is totally engrossing. Chess may not be the most engaging spectator sport, but the journey of lead-character Phiona is a thorough one, and an intriguing side-step away from the usual Disney setting.

David Oyelowo is particularly worth looking out for. He (unsurprisingly) gives a fantastic performance.

_Final rating:★★★ - I personally recommend you give it a go._
**A life changing game.**

I am not a big fan of Mira Nair. But I like some of her films, particularly 'Amelia'. Because she usually prefers India and Indian subjects and cast as what she's. Outside that circle, she was not that successful, until now. It was a sport film, that revolved around chess game. Inspired by an incredible true story from the dark continent. It all happened less than ten years ago. Disney and ESPN together produced it. So when these two productions come together, you would know what to expect.

Seeing the opening few minutes, it reminded me the recent New Zealand film 'The Dark Horse'. Kind of a similar film, but I was not that impressed with that. But this one was awesome. Simply a miracle. Like any fairy-tale from the Disney. She was not a princess, but in a way she turns to be one. Years ago when I reviewed 'Searching for Bobby Fischer', I said that was the film should be shown in the schools. Now add this title as well to the list.

The opening was the ending. Then followed the flashback, which went to the 4 years ago. Living in a slum of Katwe, a single mother raising her children, but not without their contribution to the family. Now the focus shifts to one of the family members, Phiona. Curiosity on her brother who disappears every day after sold out his goods leads her to a new path. That's when she discovers a game she had never heard of before. After learning the basics, she quickly picks up the rest of the game on her own and becomes a prodigy.

> ❝Losing teaches me how to play better.❞

This is like most of the true stories you have seen, but that's the truth as well in here. What might come later could impress you. Because it was not like she has a superpower, so she can clear her life path just like that. Honestly, the real test begins now for her, how she uses her gift. But it was her coach who understood the situation, and tried his best to push her further with the big tournaments, in the national and the international level. Not just her, there has been a team behind her. So the remaining is to reveal how far she would go, as well as the story of her struggling family.

They have got the cast perfectly. Everyone was brilliant. David Oyelowo was amazing, surely one of my favourite British actors for now. This is the second consecutive time he's making a such impression. Not long ago with 'A United Kingdom'. Definitely the Oscars is just a corner. And then Lupita Nyong'o, she was not the centre of the story, but had enough part and she excelled every bit of it. The rest of the actors, including the one who played Phiona was amazing. At the end credit, both the cinematic and the real life characters appeared. I felt that was a result of excitement, but liked it.

The sad part was why such films were ignored at the big stages! This is a must see film, especially if you have a kid(s) in the home, show it to them. Being the parents, uncle and aunt, that's one of the best thing you would do for them. Because no one knows when and where kids gets their confidence boost, inspiration or discovering a new path. You can't compare films with real life, even it was a biopic. But still the true story always remains a true story, even after they're compressed to 120 minutes. Particularly the Disney film gets rid of harsh parts, making a family friendly film. So watch it for a change, you have no other reasons, you could be impressed!

_8/10_

Queen of Katwe"


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[HD] Queen of Katwe 2016 fullhdfilmizlesene



Kısa film

Harcandı : $473,124,476

Gelir : $961,224,727

Kategoriler : Sozialdrama - Exil , Spionage - Unabhängig , Opernfilm - rätselhaft , Zeit - Management

Üretici Ülke : Mexiko

Prodüksiyon : Lemming Film




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KT Rolster Vikipedi ~ KT Rolster 1999 yılında Güney Korede kurulan bir espor takımı Ana sponsoru Korean Telecom olan takım dünyanın en başarlı Star Craft takımlarından biri Güney Korenin ise en başarılı League of Legends takımlarından biri olarak biliniyor Güney Korenin en büyük takımlarından olan SK Telecom T1 ile olan karşılaşmaları Telekom Derbisi adlandırılır

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VikipediKategori tartışmaları Vikipedi ~ Bu ve alt kategorileri içerdikleri şablonlarla beraber silinmeli En azından hepsi silinmese bile sadece bin5bin10bin25bin50bin100bin gibi belirli barajların olduğu şablonlar kalsın≈ SunSoldiers 0010 7 Eylül 2019 UTC Bu şablonlar achievement olarak kullanılıp kullanıcılara bir şeyi başarmış olma hazzı veriyor

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SK Telecom Vikipedi ~ SK Telecom Co Ltd Hangul SK텔레콤 or 에스케이텔레콤 bir Güney Koreli kablosuz haberleşme operatörüSK Grupa aittir ayrıca ülkenin en zenginleri arasındadır

Enerji Vikipedi ~ Fizikte enerji doğrudan doğruya gözlemlenemeyen fakat kendi konumundan hesaplanabilen fiziksel sistemin geniş ve korunmuş bir özelliğidir Enerji fizikte temel önemdedir Pek çok biçime girebilmesinden dolayı enerjinin kapsamlı bir tanımını yapmak imkansızdır ama en yaygın tanım şudur Enerji bir sistemin iş yapma kapasitesidir

2006 BRIT Ödülleri Vikipedi ~ 2006 BRIT Ödülleri Birleşik Krallıkta düzenlenen geleneksel BRIT Ödüllerinin yirmi altıncısıdır Ödüller British Phonographic Industry tarafından dağıtıldı ve tören 15 Şubat 2006da Londradaki Earls Court Exhibition Centreda gerçekleşti Canlı performanslar Coldplay – Square One KT Tunstall – Suddenly I See Kaiser Chiefs – I Predict a Riot


A young girl overcomes her disadvantaged upbringing in the slums of Uganda to become a Chess master.
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Helen 2019 fullhdfilmizlesene

Helen

Helen fullhdfilmizlesene 2019


süreç : 165 dakika Wählerstimme
seçim sonucu sayı : 8.3/10 (17851 oylamak)
nitelik : Sonics-DDP 1080p
DVDrip
seyretmek : 8806
ressamlık : Raum , Superheld
mesleki dil : TZ,KG,NF,MF,TN,CK,SY,DO,AZE, DOM, DNK, GRC, BLR
müzik parçası : 7.1/10 (30971 Wählerstimme)



Helen 2019 fullhdfilmizlesene








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Helen"


Helen kostenlos filme anschauen



[HD] Helen 2019 fullhdfilmizlesene



Kısa film

Harcandı : $529,658,773

Gelir : $493,828,944

Kategoriler : Boats - Abenteuer , Heroisch - Lebenslauf , Wandern - Battlefield , Innerer Frieden - Uncategorized

Üretici Ülke : Bulgarien

Prodüksiyon : Satbel Films





An ordinary suburban girl faces the biggest battle of her life when her sudden disappearance for a brief period leads to a desperate search by her loved ones.
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Senin, 26 Maret 2018

Under the Silver Lake 2018 fullhdfilmizlesene

Under the Silver Lake

Under the Silver Lake fullhdfilmizlesene 2018


süreç : 116 saat tutmak Stimmen,

oylanan şey sayı : 8.2/10 (56713 bildirmek)
kalite : ASF 720p
Blu-ray
kanı : 6025
yaratıcılık : , Rauch
lisan : SS,NG,ET,IM,ST,MW,ID,VN,LAO, MMR, ISL, BGD, CHE
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Under the Silver Lake 2018 fullhdfilmizlesene








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Relatable? Hell no. But a little bit of weirdness helps the medicine go down and _Under the Silver Lake_ is a fine sort of movie to just let happen. The performances are decent, and sure, there's a lot of wank happening here, but some originality too, and that goes a long way.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
I loved It Follows and I'm loving this.

The collaboration between Mitchell and Disasterpeace is fantastic once again. (This is what an impressionistic soundtrack sounds like Mr Nolan). Visually it is very stimulating without smacking you about the face with technique.

Might not be for everybody. I imagine it might hit too close to home for a lot of young men aged between 22 and 35.

If it appears that the movie concerns itself with a flimsy predicament enhanced by arguably shallow pop culture aspects then that's because it's precisely what a significant proportion of the male population, like the main character,(played by Andrew Garfield who is superb too) preoccupy themselves with. "It's as common as tits and hamburgers."

"Your art. Your writing. Your culture, is the shell of other men's ambitions. Ambitions beyond what you will ever understand."

Time will tell on this. I'm sure of it.
**_Just like Mulholland Drive. Except really, really, really awful_**

>_I got sent the script for_ Under The Silver Lake _and it was as mind-bending in word, as it was, in deed, as it were. It was 160-odd pages, which is about 30 or 40 pages more than the usual script, and it was like as if Sean Astin's character, Mikey, from_ The Goonies _is far too old to still be going on adventures, but he still wants to. But now he's in a David Lynch film that's set in a Los Angeles that's like the antithesis of the_ La La Land _Los Angeles. The deep, dark underbelly of L.A. And I read it and I just th__ought, this is totally marvellous and totally unique, and it's very, very rare that you get a unique piece of cinema in this day and age. I thought, well, I love_ The Goonies_, and I love David Lynch, and I love Los Angeles._

>_Also I loved it because it was quite skewering of Hollywood and a kind of patriarchal abusive system. I think Sam sees himself as a Travis Bickle. He sees himself as this liberator, he's fully deluded in this self-assessment. He sees himself as this vigilante liberator of the divine, sacred feminine in Hollywood. But actually he has a tendency to perpetuate the same abuse in an unconscious way perhaps. I just found it really, really interesting, and it's a mystery, within a mystery, within a mystery, and there's no getting to the centre of it. I think that's maybe the point - we're on a constant quest towards the centre of things. And perhaps that's enough, just being on the quest is enough._

- Andrew Garfield; "Andrew Garfield Interview: _Under the Silver Lake_, Pop Culture Obsessions, and Spider-Verse" (Ben Travis); _Empire_ (March 19, 2019)

In 2001, an unknown 26-year-old filmmaker named Richard Kelly released a film called _Donnie Darko_. Filmed on a tight budget over a few weeks, it made little impact at the box-office, but was critically championed as heralding a genuinely unique and exciting voice in genre filmmaking. The following year, the film was released on VHS and DVD, earning twice as much as it did at the cinema, and giving Kelly virtual _carte blanche_ for his next project. In 2006, that hotly-anticipated project was premièred in a rough-cut form at Cannes. The 160-minute _Southland Tales_ was savaged by critics, and went through multiple re-edits before a 144-minute version was released theatrically in North America in 2007. Grossing less than $1 million against a $7 million budget, the film was released straight-to-DVD in most international territories. Kelly's career has yet to recover, and he has made only one film since. In 2014, David Robert Mitchell released his second feature, _It Follows_, which he shot on a tight budget over a few weeks. A box office and critical success, the film was championed as heralding a genuinely unique and exciting voice in genre filmmaking, giving Mitchell virtual _carte blanche_ for his next project. In 2018, that hotly-anticipated project was premièred at Cannes, where it was savaged by critics.

Okay, the analogy isn't perfect – _Southland Tales_ was Kelly's second film, whereas _Under the Silver Lake_ is Mitchell's third; _It Follows_ was nowhere near as good or as celebrated as _Donnie Darko_; and _Under the Silver Lake_ isn't quite as bad as _Southland Tales_, nor have the negative reviews from Cannes been quite as damning or universal. However, the sequence of events is undeniably similar - a young filmmaker riding high on an unexpected success dusts off an ambitious older project he had been unable to make at the time, and is given far too much autonomy and leeway, resulting in a pretentious, self-indulgent, convoluted, overlong mess. It's like no one has learnt from the hubris of Michael Cimino!

Positioning itself as equal parts neo-noir and genre subversion, _Under the Silver Lake_ is essentially a cross between David Lynch's _Mulholland Drive_ (2001) and Thomas Pynchon's _Inherent Vice_ (2009). With the major difference being that it's absolutely, unrelentingly terrible. As with Mitchell's previous films, _Silver Lake_ works as both an example and a subversion of genre - _The Myth of the American Sleepover_ (2010) was a homage to films such as Peter Bogdanovich's _The Last Picture Show_ (1971), George Lucas's _American Graffiti_ (1973) and the work of John Hughes, whilst also deconstructing the coming-of-age subgenre; and _It Follows_ recalls films such as William Friedkin's _The Exorcist_ (1973), Wes Craven's _A Nightmare on Elm Street_ (1984) and the work of John Carpenter, whilst also satirising the tropes of such films. _Silver Lake_ is no different - a mystery noir à la Robert Aldrich's _Kiss Me Deadly_ (1955), Robert Altman's _The Long Goodbye_ (1973), and Roman Polański's _Chinatown_ (1974), the film is also at pains to undermine and critique many of the generic markers found in such films. A 140-minute labyrinthine, paranoia-laden shaggy-dog story full of MacGuffins, false leads, narrative dead ends, and unexplained details, the film relocates the detective stories of Raymond Chandler and Dashiell Hammett to the chaotic postmodern era of cognitive semiotics where the relationship between signifier and signified is now so arbitrary that meaning-making itself has become a protean commodity. However, it is easily the most self-important piece of garbage I've seen in a long time; a philosophically juvenile rumination thoroughly convinced of its own portentousness. Fundamentally misogynistic (it's not misogyny, apparently, because Mitchell is being super-ironic when he presents no less than six female characters as literal sex toys for the protagonist), it's at least 45 minutes too long, with an unfocused narrative, poorly thought-out metaphors, an insipid protagonist, about 377 themes, and a laughable screenplay. The cinematography is pretty though.

Set in contemporary LA, _Under the Silver Lake_ follows Sam (Andrew Garfield), a 33-year-old man-child with no job, no ambition, and no direction, whose day consists of sitting on his balcony watching his neighbour (Wendy Vanden Heuvel) parade around topless, having unfulfilling NSA sex with a friend-with-benefits (Riki Lindhome), and visiting his drinking buddy (Topher Grace) to use a drone to spy on women (it should tell you a bunch about the film that none of these three characters are even assigned a name). Out of the blue, he meets and instantly falls in love with Sarah (an admittedly radiant Riley Keough), but when he visits her apartment the day after meeting her, he finds her gone and the apartment empty, apart from a shoebox with a photograph and a few trinkets, and a strange symbol painted on the wall. Although he later identifies Sarah as one of three women killed in a car crash alongside billionaire media mogul (and professional stuntman) Jefferson Sevence (Chris Gann), having recognised a hat found at the scene to be hers, he refuses to believe she's dead. And so begins an odyssey to track her down that ultimately involves, amongst other things, a parrot who keeps repeating the same meaningless phrase, a hipster pirate, secret codes hidden in everyday objects such as statues, song lyrics, _Nintendo Power_ magazines, and cereal boxes, a glam rock band named Jesus and the Brides of Dracula, the July 1970 issue of _Playboy_, a dog murderer, a conspiracy theorist comic book writer (Patrick Fischler), the Hobo Code, a vast network of underground tunnels, an actual literal homeless king (David Yow), a helpful coyote, an unhelpful skunk, an escort agency staffed by former child-stars, a balloon dancer (Grace Van Patten), a walled-off Xanadu-like mansion, a mysterious songwriter (Jeremy Bobb) with a strange claim, a female serial killer who enters men's apartments wearing nothing but an owl mask, and a New Age cult lead by super-wealthy men.

And if this makes it sound convoluted, unwieldly, and overly plotted, believe me, you don't know the half of it.

Perhaps the most immediately obvious aspects of _Silver Lake_ is the sheer range of homages that Mitchell includes at both plot and formal levels. Some of these homages are impressively handled, some not so much. The music by Rich Vreeland, for example, and the cinematography by Mike Gioulakis are both extremely retro, serving to situate the film firmly in the formal styles of yesterday. Vreeland's score (although I didn't like it in and of itself) is a solid imitation of the work of composers such as Franz Waxman (_Sunset Boulevard_; _A Place in the Sun_; _Rear Window_) and Bernard Herrmann (_Citizen Kane_; _Vertigo_; _Psycho_), whilst Gioulakis's photography, with its overly dramatic camera movements and crash zooms that seem to come out of nowhere, recalls the work of Robert Burks (_Rear Window_; _To Catch a Thief_; _Vertigo_) and Sam Leavitt (_The Defiant Ones_; _Anatomy of a Murder_; _Cape Fear_).

Most of the other homages come at plot level, and although some are well integrated into the narrative, many feel shoehorned in, as if Mitchell is showing off his range of reference, so much so that the film essentially becomes pastiche. Examples include Sam's mother's obsession with Janet Gaynor, particularly Frank Borzage's _7th Heaven_ (1927); Sam sitting on his balcony using binoculars to spy on people, á la L.B. Jefferies (James Stewart) in Alfred Hitchcock's _Rear Window_ (1954); Sam's fascination with Don Ornitz's picture of Janet Wolf from the cover of the July 1970 issue of _Playboy_; a Nirvana poster above Sam's bed; Sam and Sarah watching Jean Negulesco's _How to Marry a Millionaire_ (1953); a brief glimpse of an _Amazing Spider-Man_ comic (intertextual and self-reflexive, given Garfield's appearance as the titular character in two films); a visual quotation of Marilyn Monroe in a swimming pool from George Cukor's unfinished _Something's Got to Give_ (1962); the Brides of Dracula doing a cover of Lulu's "To Sir with Love" (1967) from James Clavell's film of the same name; R.E.M.'s "Strange Currencies" (1994) playing at a party; a visit to Griffith Observatory from Nicholas Ray's _Rebel Without a Cause_ (1955); references to the original _Legend of Zelda_ (1986); a very on-the-nose shot of a gravestone with the word "Hitchcock" on it; and a scene that references songs as varied as The Arrows' "I Love Rock 'n' Roll" (1975), Gary Portnoy's "Where Everybody Knows Your Name" (1982) from the TV show _Cheers_, Foreigner's "I Want to Know What Love Is" (1984), Harold Faltermeyer's "Axel F" (1985) from the film _Beverly Hills Cop_, Pixies' "Where is my Mind?" (1988), Nirvana's "Smells Like Teen Spirit" (1991), and Backstreet Boys' "I Want it That Way" (1999). The most consistent referential touchstone, however, is David Lynch, particularly _Mulholland Drive_, an infinitely superior mystery thriller also set in the darker environs of LA involving a sprawling cast of strange characters.

Thematically, the film is all over the place, never settling on any one issue (or even a few issues), instead jumping around like a hyperactive puppy trying to be in eight different places at once. Characters say things such as "_who isn't being followed these days?_" and "_the ideology you thought you adopted through free will was actually subliminal messaging_", but it's all meaningless in a narrative chaos where nothing is ever examined for more than a couple of minutes before the film leaps onto something new. Positing that pop culture has profound hidden meaning (in direct contrast to most cultural-anthropological thinking), the film is so imprecise and scattered that it's impossible to tell if Mitchell actually buys into the notion that schizophrenic conspiracies are all around us or if he's being facetious.

And yes, I understand what he's doing here - presenting the film from the point of view of a pop culture-saturated Millennial who's easily distracted and hence keeps losing the run of his own story. However, just because it's apparent what the director is trying to do doesn't mean he has succeeded. Oliver Stone did a far better job of depicting a similarly media-soaked shortened-attention span over 20 years ago with _Natural Born Killers_ (1994). Easily the most interesting issue touched on is the concept that much of what has defined generations and been the artistic impetus behind and symbol of cultural revolutions throughout the 20th century all comes from the same corrupted and cynical place; the music that has most embodied rebellion and freedom is actually even more manufactured than the worst boy band could ever be. This is a fascinating and fundamentally postmodernist way of thinking, but mere moments after introducing it, Mitchell abandons the theme entirely in favour of a piece of absolutely gratuitous violence which says nothing of interest about anything.

The most troubling thing about the film from a thematic point of view, however, is how it depicts women. Yes, it's partly about the male gaze and how Hollywood has a track record of objectifying women, especially in films of this nature, so a degree of objectification is necessary. But Mitchell does it to the point where critique simply becomes content - he doesn't need six women (only two of whom are even given names, and none of whom receive much in the way of characterisation) to throw themselves at Sam to adequately deconstruct the trope. Granted, his intentions may be noble; he is obviously side-lining the female characters with the goal of satirising male entitlement, but he is unable to distinguish between replication and repudiation. All the best intentions in the world don't alter the fact that the women in the film are wallpaper, and his attempt to critique Hollywood's tendency to depict women as such ends up as simply another example of the very trope he is setting out to critique. So all the unnecessarily topless shots aren't exploitative you see, because irony!! Additionally, it's worth mentioning that Sam doesn't initiate a single sexual encounter; every one of them is initiated by the woman. How does that fit into Mitchell's deconstruction of Hollywood's depiction of men using women, if the women are essentially allowing themselves to be used? If his critique was in any way consistent, Sam would be seducing them, not the other way around, thus allowing Mitchell to directly engage with the notion that men look at women as playthings. It's a facile attempt to critique a theme that cries out this is a filmmaker attempting something that he simply doesn't have the requisite ability to pull off.

And if only these thematic issues were the film's only problems, it mightn't be so bad. Unfortunately, there is so, so much else wrong here. This is a (supposed) satire, yet there is practically no humour. There are a couple of funny scenes (such as when Sam beats up two children for egging his car), but they are few and far between. Additionally, Mitchell completely fails to make us care about Sam or his quest to find Sarah; there is no emotional connection whatsoever. As for the quest itself, it soon becomes obvious that we're following Sam down a rabbit-hole which Mitchell has filled to the brim with pointless digressions, meaningless distractions, and derivative clichés. Whereas in _Mulholland Drive_, Lynch creates a beautiful and complex tapestry where everything has precise meaning, with no wasted motion, no weirdness simply for weirdness sake, in _Silver Lake_, Mitchell just lobs anything and everything at the viewer whether it's ultimately significant or not. A pirate? Sure. A female serial killer? Why not. A dog murderer? Of course. A story that makes sense and deals with its themes coherently? Don't be ridiculous. It's like the worst type of student film where the filmmaker has been allowed to shoot whatever he wants, and ends up making something so convoluted that any meaning it may have becomes subsumed amongst self-important pretension. And the more needlessly complex and bloated the plot becomes, the less interesting it is. The whole thing smacks of Mitchell shouting "_look at me. Look how wacky I am._"

_Under the Silver Lake_ is a tiresome, self-important, overlong, intellectually juvenile mess. If Mitchell actually has anything to say about subliminal messaging, the commodification of women, wealth buying privileges even in the afterlife, the pervasiveness of pop culture, or conspiracy theories, it's lost within a painfully dull and self-indulgent plot. With _It Follows_, Mitchell was constricted by a tight budget. With _Silver Lake_, he has been allowed to play relatively unsupervised in the sandbox, and the results are disastrous; a swollen, self-admiring film that can't follow through on anything, thematically or narratively, a film that is totally and completely in love with itself.

Under the Silver Lake"


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Kategoriler : ParParties - Césarisé , Sozialdrama - Hilarious , Mathematik - Freiheit , Maritimes Drama - Waste

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Young and disenchanted Sam meets a mysterious and beautiful woman who's swimming in his building's pool one night. When she suddenly vanishes the next morning, Sam embarks on a surreal quest across Los Angeles to decode the secret behind her disappearance, leading him into the murkiest depths of mystery, scandal and conspiracy.
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